Senin, 30 April 2012

  • PDF Download Neighborhood OdesBy Gary Soto

    PDF Download Neighborhood OdesBy Gary Soto

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    Neighborhood OdesBy Gary Soto

    Neighborhood OdesBy Gary Soto


    Neighborhood OdesBy Gary Soto


    PDF Download Neighborhood OdesBy Gary Soto

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    Neighborhood OdesBy Gary Soto

    Award-winning poet Gary Soto and Caldecott winner David Diaz turn their eyes on the world of kids. From family pictures to pinatas, from the gato with a meow like a rusty latch to Fourth of July fireworks, the startling and often overlooked moments that define childhood are vividly brought to life by these two acclaimed talents.

    • Sales Rank: #596161 in Books
    • Brand: Sandpiper
    • Published on: 2005-04-01
    • Released on: 2005-04-01
    • Original language: English
    • Number of items: 1
    • Dimensions: 7.63" h x .26" w x 5.13" l, .18 pounds
    • Binding: Paperback
    • 80 pages

    From Publishers Weekly
    The Hispanic neighborhood in Soto's 21 poems is brought sharply into focus by the care with which he records images of everyday life: the music of an ice cream vendor's truck, the top of a refrigerator where old bread lies in plastic, dust released into the air when a boy strums a guitar. The diverse voices include that of a 12-year-old girl "with hair that sings / like jump ropes" and a fourth-grade boy whose new teeth create the "racket / Of chicharron / Being devoured . . . ." The vocabulary sprinkled with Spanish (there is a glossary at the back of the book) remains consistent, as does the form of the poems, which fall in long vertical columns with short lines. The tight clumps of language reproduce the quality of rapid and playful conversation. Affectionate without being overly sentimental, the collection provides a good introduction to contemporary poetry as well as a fine homage to a Chicano community. Diaz's woodcuts complement the poems perfectly: the silhouettes are fanciful and dynamic but do not draw attention from the words on the page. Ages 8-12.
    Copyright 1992 Reed Business Information, Inc.

    From School Library Journal
    Grade 4 Up-- The rewards of well-chosen words that create vivid, sensitive images await readers of this collection of poems. Through Soto's keen eyes, they see, and will be convinced, that there is poetry in everything. The odes celebrate weddings, the anticipation of fireworks, pets, grandparents, tortillas, and the library. Although Soto is dealing with a Chicano neighborhood, the poetry has a universal appeal. A minor drawback is that the Spanish words are not translated on the page, but in a glossary; to consult it interrupts the reading. Still, children will surely recognize the joy, love, fear, excitement, and adventure Soto brings to life. It is the same sensitivity and clarity found in Baseball in April (HBJ, 1990), his collection of short stories. Black-and-white illustrations blend well with the astute verbal imagery. Each selection is an expression of joy and wonder at life's daily pleasures and mysteries. --Renee Steinberg, Fieldstone Middle School, Montvale, NJ
    Copyright 1992 Reed Business Information, Inc.

    From Kirkus Reviews
    The memories and experiences of Hispanic children are celebrated in a collection of short-lined poems from the author of Baseball in April (1990). With the one exception of the deliciously shivery ``Ode to La Llorona'' (a weeping ghost), the mood ranges from tired happiness to downright exuberance. A girl boasts that she doesn't have to pay for raspados (snow-cones) because her father drives the ice-cream truck; Pablo goes to bed without a bath because ``he wants to be/Like his shoes,/A little dirty''; a child eats a spoonful of ground chile pepper from the molcajete (mortar), to his huge regret; others fondly recall picnics, a wedding, the library, running through the sprinkler, and similar pleasures of a California neighborhood. Diaz's occasional illustrations, with the sharp-edged black areas of woodcuts or paper silhouettes, are angular and stylized to near abstraction. Soto's language leans slightly toward the formal (as befits an ode) and is sprinkled with Spanish words, clear in context but also translated in a glossary. (Poetry. 10-12) -- Copyright ©1992, Kirkus Associates, LP. All rights reserved.

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